In essence her work has all the emotional resonance and intellectual engagement that an artwork is capable of whilst also drawing from the rich experiences that a public park can provide. Voevodin-Cash is an artist whose materials and work will grow and live on and change well past the length of her own life.  This is her gift as an artist to the future.

Voevodin-Cash comments on gender stereotypes, expectations and workplace needs. Identifying a need in our increasingly alienating public spaces for interaction and real experience, Arterial’s reception area – previously unfurnished – has been granted a receptionist and a series of Genoa armchairs. While both these elements would be ideal for the area to function properly, and indeed appear life size and sound,

Voevodin-Cash’s concept of the landscape is derived as much from personal experience and observation of it as from any historical knowledge about it. Hers is not a romantic ideal. It is lived and worked. That the landscape in which Voevodin-Cash lives has been fashioned by her is as critical as the manner in which it impinges upon her.

MoB Queensland contemporary sculpture exhibition 2004 Furnished spaces Nicole Voevodin–Cash’s playful practice is furnished with unusual materials, from plastic bags, heaters, lights, batteries, velvet, kangaroo skin, astro turf and living turf to the more...

Experiments in Re-locatable Temporary Public Art Introduction The LANDscapers project takes its point of departure from a concept of the artwork as an event rather than an object. The artists, (Nicole Voevodin-Cash and Elizabeth Woods), and audience collaborate in...